StuporTrooper [he/him]

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Joined 3 years ago
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Cake day: December 10th, 2021

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  • But we don’t see any affects of that. The Metal Bending police aren’t shown oppressing non-benders. The Council isn’t shown making decisions that favor benders. They aren’t shown doing anything really other than responding to the Equalists. It’s a purely liberal understanding of government where representation is all that matters, aesthetics.

    For instance the victory for non-benders is shown to be having an (I think elected) non-bender president. But what actually changes from that? Metal Benders are still the police, benders are still the military. My complaint is that they only show the surface level, which is why the Equalist movement feels so hollow.


  • I wish Korra actually showed that life was worse for non-benders. Other than the one scene with the gangsters Korra fights in episode 1, we don’t see at all how benders are the ruling class. We should have had scenes of proles walking to work while waterbenders surf past on a magic wave and drench them all in slime water. We should have seen non-benders struggle for warmth in their apartment that doesn’t have power, while a firebender lights a cigarette outside. Or a bricklayer breaking their back while an earth bender walks by and casually tosses it aside as a joke. Instead it seemed like most benders tooks care of most public utilities: metal police, electricity bending power grids, water bending healers. Give the Equalists a good reason to fight, don’t just cop out with “there are gangsters who bend.”



  • Had to look this up, and I guess eating disorders like bulimia and anorexia haven’t fallen off like I assumed. But I will say I’m glad that the beauty standard of women starving themselves has at least decreased. I’m not shaming skinny women, but when I was growing up in the 2000s it seemed like eating disorders were glamorized and endemic to women. Genuinely feels like women in the west are at healthier weights now, but I don’t have data to support that.






  • The original Digimon is about the death of imagination and childhood innocence in a capitalist system. Before the jump into the digiverse, they live in 90s Japan (Tokyo maybe?), it’s all grey tones, and every one of the children’s parents is distant, many of them because of issues of capitalism. The Digiverse provides a literal escape from 90s capitalist Japan, but also a mental escape from the monotony of growing up to reproduce capitalism. No I will not elaborate, and Wizardmon goes hard.