Archived version: https://archive.ph/WYdpt
Jacqueline Wilson has said editing children’s books to remove inappropriate and dated language is sometimes justified because young people do not have “a sense of history”.
However, the bestselling children’s author told ITV’s Good Morning Britain that she was opposed to “meddling with adult classics”.
Children’s books by authors such as Enid Blyton and Roald Dahl have been rewritten by publishers to take out words and references that are deemed inappropriate or offensive today.
In February, Puffin Books hired sensitivity readers to review Dahl’s texts to make sure his books could “continue to be enjoyed by all today”.
Hundreds of changes included replacing the word “fat” with “enormous”, and changing “ugly and beastly” to “beastly”. “Old hag” in Dahl’s The Witches was changed to “old crow”.
Blyton’s books, including The Famous Five, Noddy and Malory Towers, dating back to the 1940s, have also undergone “sensitive text revisions”. Words such as “queer” or “gay” have been replaced because of their contemporary meanings relating to sexuality.
Blyton has also been criticised for racism and xenophobia in her books.
While some have welcomed the changes, others have criticised the rewriting of classics, saying it is a form of censorship.
Wilson said her view on such changes depended on “how it’s done”.
She added: “There are some things I think that would make us a bit worried if we returned to our old children’s favourites and read them with fresh eyes. We might be a little surprised.
“I think with children, they often absorb texts. They still haven’t got the power to sort things out and have a sense of history.”
Wilson has been involved in updating earlier works. Last year, she wrote The Magic Faraway Tree: A New Adventure, a reimagining of a Blyton novel.
Her version is without Blyton’s sexist stereotypes and “unfortunate references that were very ordinary in their times but nowadays don’t fit with the way we think”, she told the Irish News last year.
Wilson has admitted that she would not write one of her books, published in 2005, today.
Love Lessons is about a 14-year-old girl, Prue, who falls in love with an art teacher who partly reciprocates. They kiss and he admits that he loves her, too.
Wilson told the Guardian in a recent interview: “It’s so different now … Nowadays, you’d see Prue as a victim even if she had initiated it and the teacher as a paedophile because he responded to her.”
But she told Good Morning Britain on Monday: “I’m very against meddling with adult classics.
“I was just thinking about Jane Eyre the other day. I mean, with the mad woman in the attic and the way she’s depicted, you’d never find that sort of treatment of people with serious mental health problems.
“And yet, I would be absolutely at the forefront of people saying: ‘No, leave it alone. It’s my favourite book.’”
Wilson also criticised so-called cancel culture, saying that she felt conversations to solve differences would be more constructive.
“I’m of the old school, I think: ‘Why can’t everybody just talk things over? Discuss things.’ You don’t have to agree with someone,” she said.
“But I think it’s more helpful to actually get to the bottom of what’s making people so angry.
“But whether I’d feel that in the midst of a baying crowd or not, I don’t know.
“I mean, life’s changed so much. And I think it’s good that people can make it clear what they feel, but I do think a little bit of discussion [is necessary].
“There’s been a call recently for children to develop their oracy, to become more articulate, to be able to assemble their ideas, and I think that would be a good idea.”
Wilson, a former children’s laureate, has written more than 100 books, which have sold about 40m copies in the UK and been translated into 34 languages.
The Story of Tracy Beaker, about a girl growing up in a care home, was made into a television series. Her books deal with issues such as separation, stepfamilies, sibling rivalry, bullying and falling in love.
This is a really difficult one for me. I do 100% agree that adult classics should remain as they are, and we should view these through the lens of historical context. Keeping those classics as they are allows us to analyse them and see how views have changed - sometimes we need to know how bad things were so we can learn from our mistakes. But I think it’s also important that for young adults, these works should be studied in a classroom so there’s someone there to explain the uncomfortable parts.
The difficulty comes with books aimed at very young audiences, like Roald Dahl novels. Kids may not always have the necessary support or understanding of the context. So I’m inclined to agree with Wilson here with regards to kids books, but it’s a bit of a grey area for me.
*Her 2005 novel is pretty worrying though. As the other commenter mentioned, the subject matter was inappropriate even at the time. It doesn’t sound like the book tackles the consequences of what happens either.
For the most part, that’s what parents and teachers are for, though I understand that not every child has good role models in their life. Lots of parents these days don’t want to parent, and rather than educating their children, they just want to make everything a safe space and hide anything they consider inappropriate.
I’d say most don’t. I’d venture a huge proportion of people with kids are unfit to be parents, but I recognize that’s a rectally sourced statistic.
And sometimes we need to know how bad things have become so we can learn from our mistakes. Progress unfortunately isn’t linear.