It looks like the upcoming Lower Decks season will be the last one 😭😭 I didn’t have any expectations for this show but it has quickly grown to be one of my favorites. I’ll miss it
It looks like the upcoming Lower Decks season will be the last one 😭😭 I didn’t have any expectations for this show but it has quickly grown to be one of my favorites. I’ll miss it
There’s more to an established universe than just the lore and plot. The tone, setting, and ethos of the world are every bit as important as the factual nature of what’s already happened. I’m not going to make a claim that the idea of a teen drama in the Star Trek universe is inconsistent with reality of the Star Trek franchise’s universe, but it is fair to say it is inconsistent with the established tone. I’m not making the claim that’s going to mean it’s bad, but it is completely fair and valid for existing fans to voice concern about that tonal shift. The tone is no less important to a series than the events that take place within them. If Luke’s hand being sliced off in Empire Strikes Back was played as a comic, silly moment, even though the events are consistent with the established universe, and in fact exactly the same, the nature of the scene and the franchise in which it happens are altered. These are not trivial concerns.
Ignore the previous deleted comment. I was copying part of your comment to quote and hit enter while hovering over the post button. Apparently that’s a thing with my browser or something. Sorry. To the response.
Edit: I had to edit this comment because the same thing happened AGAIN.
I disagree. We’ve seen episodes that focus on periods during Starfleet Academy for specific characters, we’ve had the episode with Wesley in TNG, the slew of stuff in Discovery that is comparative between Tilly and the crew as well as the entirety of Prodigy. Then there’s Star Trek The Animated Series and Lower Decks which are also a pretty big tonal shift but is no less consistent than anything else with how they fit into the world.
Even if that tone wasn’t pre-established in the world, the world itself still allows for it. We’ve seen the tone shift when we focus on Klingons or on Ferengi or on Vulcans or on Romulans. Entire episodes and sections of movies are spent on them. That’s a pretty heavy tonal shift but it’s done because Star Treks whole thing is the exploration of new worlds, new peoples, new views and new tones. I’m just not sure why everything else in the galaxy gets a complete pass but focusing on young adults who are learning the ideals of Starfleet (which, again, is pretty similar to Prodigy) at an academy in the future is suddenly a huge problem.
There is a difference between showing concern and outright gatekeeping which is what I was responding to originally.
This is a flagrantly disingenuous comparison. The creation of Starfleet Academy and focusing on a new view with new characters in an area that we know deals with these things is no where close to taking a pre-established moment and playing it in a different tone completely. The existence of this show does not undermine or overwrite the tone of any other show like you’re suggesting with that comparison. This is a new show with new characters showing a new side of the same coin. It is not rewriting anything or relighting anything.
It’s possible I wasn’t clear here. I’m not suggesting changing the tone of it as it already exists, but that if its original tone had been different the entire tone of the film and the universe would have been completely different as well. And while I agree that Star Trek has often had many different tones over the course of all the series and media, it’s one thing to have a tone for a particular episode or two parter, and another to have such a drastically different tone for an entire series. Additionally, while we DO explore Wesley’s situation at Starfleet academy, and other aspects of younger Starfleet cadets in episodes like the DS9 episode where a ship is entirely staffed by cadets, it’s still usually viewed not primarily through their eyes, but through the eyes of the established crew, keeping the tone of the series consistent overall. This is very different than say, hypothetically, changing gears in season 6 of TNG and deciding to make Wesley the main character.
That said, the TNG episode Lower Decks handles this idea extraordinarily well, so it’s entirely possible the entire thing will work and be fine. But it’s also equally possible it could be such a drastic tonal shift that it does not. I don’t see it as unreasonable or overreacting for longtime fans to, sight unseen given the scant information we DO know, view it with wariness.
Ah okay, my mistake there and I apologize for misunderstanding. I agree on that end but my response would be just reiterating what I said earlier in my comment so I won’t annoy you with just repeating myself for no reason.
Again, I disagree with this pretty heavily. Every Trek show (with maybe the exception of Voyager) has set it’s own very distinct and individual tone. TOS and TAS are leagues apart but so are both of them from TNG. DS9 took on a darker tone. VOY, as much as I love it, strikes a very similar tone to just a combo of DS9 and TNG. ENT went out of their way to set a tone so hated that it nearly killed the franchise. DSC came back with it’s own very distinct tone that is darker and more action oriented than the other series before it. LD then sets it’s own extremely specific comedic tone and Prodigy sets another that’s focused on kids themselves. SNW doesn’t so much set it’s own tone as update and revamp the tone from TOS. But like I said, why do all of those other shows get a pass but suddenly Starfleet Academy is such a problem? As mentioned with Prodigy, it’s not even a first for a series to be focused on younger audience in the Trek universe and it was so beloved that a fanpush got it taken over to Netflix to continue its story.
Again, the person I was originally responding to was not showing a basic concern. It was outright gatekeeping and a very different thing than what we’re currently discussing.
I don’t know if it’s necessarily that they get a pass. As you said, Enterprise was very poorly received by many fans, and that’s more or less directly attributable at least in part to its different tone. The other series have their naysayers too, although not necessarily on a tonal basis. It’s easy for us to look back now with the benefit of hindsight and say what worked and what didn’t. So I guess the question is, we live in an era now where we get more information about what is coming that we have ever had before. When Enterprise launched, it was more or less a black box to the fans until it was actually on the air. If we had known in advance the writers/directors’ intent about Enterprise’s tone while it was in production, and voiced concern, could the final product have been altered into a version of the show that would’ve succeeded better? We can’t know now, of course, but we’re in this situation with Starfleet Academy, and if there’s enough gut feeling that there’s potential for it to be handled badly, a cautious approach might be warranted. Being left in the production’s hands WITHOUT fan feedback on potential tonal shifts HAS backfired on trek shows before.
Fair enough.
I get being concerned about a potential tone conflict but this is for an entirely different group of people and demographic. I’m just not sure that the weight of adult fans get to have on a show for teenagers. That’s my concern with all of this. A lot of the complaints have just been a bunch of adults saying that the tone of the show is too far from what they’re used to. Well, yeah. Because it’s not for them. Enterprise had it’s naysayers but it also has plenty of people who are for it. Because there are some naysayers who don’t like it, does that mean that their opinion suddenly have more weight than the people who like it? The people who don’t like it, well, they can stop watching it. Do they have the right to say “Stop making a thing I don’t like for people who aren’t me”?
A totally valid point of view.
But it’s also a valid point of view to point out that in spite of its fans, Enterprise was still canceled. And shows in the franchise being killed off frequently due to unsustainable interest is ultimately not good for the franchise as a whole, regardless of individual interest in particular iterations. The ultimate fear is that such a wide range of tones attempting to capture different audiences ultimately results in none of them capturing enough of an audience to justify their existence, and then the whole franchise gets written off for another dry spell like we had post-Enterprise. That’s not good for anyone.
That’s a gatekeepers argument. It’s not an argument for the strength of the show itself, it’s fear of something new and to shun that new thing because it might shake the status quo. It’s nonsense. Especially when we’re talking about a franchise like Star Trek which is specifically dedicated to the idea of representing different audiences and peoples. The idea that the series is being “too diverse” is just ridiculous. That’s literally the point of everything in the shows. To show diversity and inclusion through that strength. There are numerous quotes from the shows specifically saying that.
I also still am not giving any weight to what you’re saying here because you’re not part of that demographic. At no point in this conversation have you ever considered them. Every single retort of yours has just been “Yeah but it might make things worse for me and other older fans. Who cares about the new ones?”
Fear of the unknown, fear of something knew, and hiding behind tradition is the exact type of shit that Star Trek goes out of its way to say is a terrible thing to hold onto. Especially, again considering you have repeatedly ignored me saying this, every single show has had a radically different tone to varying degrees of success. Fearing that this new tone is going to break it is just the same argument that’s been made since TNG was released and I’m not entertaining this nonsense any longer.
Goodbye.
I’m not saying that IS what’s going to happen. Please don’t put words in my mouth. But to say there is ZERO concern that it CAN happen is to ignore a very realistic scenario.
You’re right, I’m not a part of the target demographic. But that’s not point. The point is if that demographic wants what is being offered. Sure, this is targeted at them, but is their audience out there asking for this? If there is an audience, absolutely, they should have the show they want.
I’m not ignoring that there have been varied tones in various Trek shows. I am however, pointing out that not all of those tones have been successful, and that’s a cause for concern. Star Trek isn’t some public domain franchise that can be picked up at any time by anyone, Paramount’s begrudging allowance for fan projects not withstanding. The success of the franchise and the ability to keep new Trek coming depends on the success of the series that are produced. If a series cannot sustain an audience, it hurts the viability of the franchise as a whole in the eyes of the people who fund production, and that is a legitimate concern.
But while I don’t know that there is a teenage Star Trek audience looking for a show targeted at them, I KNOW there is an audience looking for the tone of the older Star Trek show tones because they are vocally and visibly looking for it right now.
I’m not arguing a Star Trek show targeted to teenagers shouldn’t exist because I don’t want it. That’s a nonsense argument. I’m arguing the simple reality that there are limited resources for producing these shows, and Paramount is the only company that gets to make them. This is not some projected negativity - this is simple reality. And for all the idealized, lofty goals there are, if they don’t establish and keep an audience, Paramount will shut them down. It’s not gatekeeping to suggest building an audience where one doesn’t exist yet is harder than keeping an existing one, and it’s a gamble with the future of the franchise to paint such a wide target, particularly without an anchor series that you can point to and say “This is the secure flagship series we’re building these other series around.” That doesn’t exist. Every single one of the current series is in a precarious position. That is a cause for concern.
Also, on a side note, I would like to point out that many of us became Star Trek fans during the TNG/DS9/Voyager era, and we were teenagers then. Those shows were not specifically targeted at us, but they still captured our imagination and won us over. A show doesn’t have to be about teenagers to appeal to teenagers. Again, this is not to say this SHOULDN’T exist, but you are making it sound like the idea that thinking Paramount could focus their efforts elsewhere instead is somehow an attack on teenagers, and some form of discrimination. I assure you, that is not my intent, and I don’t think it’s anybody else’s either. There are lots of reasons to be concerned this is not the right path, or that it might not succeed, other than having some kind of agenda against the young.
I see your last response to me as a bit of an overreaction, but regardless, it’s your opinion and you’re entitled to it. I apologize for allowing it to overcome me and overreacting myself to make this response seem overly hostile, but at the end of the day it certainly sounds like there is no argument that could be made to you that would legitimize someone’s concern that Starfleet Academy might not be the right path for the franchise to take, and if that’s the case, you’re right that there’s no point in continuing the discussion. I hope you continue to enjoy the franchise we love and wish you the best, regardless.
Goodbye.
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