Hugues Merle was a French painter who mostly depicted sentimental or moral subjects. He has often been compared with William-Adolphe Bouguereau.

Merle was born in 1822 in La Sône. He studied painting with Léon Cogniet. Hugues Merle became a friend of Paul Durand-Ruel in the early 1860s. Durand-Ruel had started buying paintings by Merle in 1862 and introduced the artist to painter William-Adolphe Bouguereau. Merle was later often compared to Bouguereau and “became a considerable rival of Bouguereau in subject and treatment”.

More art: https://artvee.com/artist/hugues-merle/

  • BaroqueInMind
    1·
    1 day ago

    Strange how a Middle Eastern child bride who was likely a brown-skinned brunette with Semitic features and also was likely raped by a Roman soldier and had to lie to her husband that she was immaculately pregnant to avoid being beheaded is portrayed across the world as a white blonde haired blue eyed Anglo-European.

      • BaroqueInMind
        2·
        24 hours ago

        Right…

        Let’s try again.

        Strange how a Middle Eastern child bride woman who was born in the Jewish city of Magdala, and likely a brown-skinned brunette with Semitic features and also was likely raped by a Roman soldier and had to lie to her husband that she was immaculately pregnant to avoid being beheaded is portrayed across the world as a white blonde haired blue eyed Anglo-European.

  • moistclump@lemmy.world
    3·
    2 days ago

    Question, maybe off topic. But Mary’s clutching a cross here. Was a cross already a symbol by the time Jesus died on one? It’s a tool of torture and death. If someone I loved died by stabbing, I wouldn’t lie around like that with a knife.

    • Murvel@lemm.ee
      2·
      1 day ago

      The cross became the symbol of Jesus’ martyrdom as soon as he took it up

    • perishthethought@lemm.eeOPEnglish
      4·
      2 days ago

      I assume she picked it up at the gift shop on the way in.

      j/k

      I actually assume the artist is using that symbol to communicate with his 19th century audience. He wanted to focus on her in this work, but also needed to communicate who she is and why she’s swooning. Just my guess to be clear.