I’ve been watching machinema since I was a wee lad in the 2000s with halo 2 being peak for me. I am so pumped the tech is there for full length feature films! This is like the opposite effect for me, I want “cheaper” methods of making what matters: the story and the narrative using cinematic language. Very glad eevee is getting recognized. Whether it’s hand drawn or rendered in a billion dollar engine that took 50 years to render one frame or with realtime 3d, I don’t care. I just want it to be easy for a kid to say “I have a story to tell and I want it on a screen” and be able to do that without weird criticism like “you did it with the wrong tools”
I’m glad for that too. Making the barrier to creative entry lower is going to help people bring their vision to life, and that’s great. I’m pleased that Flow was made, and that more things like it will also be made, and I’m sure some of those things will have a visual style which I really vibe with.
I’ve been watching machinema since I was a wee lad in the 2000s with halo 2 being peak for me. I am so pumped the tech is there for full length feature films! This is like the opposite effect for me, I want “cheaper” methods of making what matters: the story and the narrative using cinematic language. Very glad eevee is getting recognized. Whether it’s hand drawn or rendered in a billion dollar engine that took 50 years to render one frame or with realtime 3d, I don’t care. I just want it to be easy for a kid to say “I have a story to tell and I want it on a screen” and be able to do that without weird criticism like “you did it with the wrong tools”
I’m glad for that too. Making the barrier to creative entry lower is going to help people bring their vision to life, and that’s great. I’m pleased that Flow was made, and that more things like it will also be made, and I’m sure some of those things will have a visual style which I really vibe with.