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Cake day: March 22nd, 2024

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  • This is fascinating to me and has shades of Iris Merideth’s The Problem is Culture. In other engineering fields, if you had a tool that cut costs but caused a threefold increase in failures you would be looking at a massive scandal, probably because if this was structural engineering rather than software engineering you’d be looking at a new Grenfell Tower or Hyatt Regency Walkway from every other project that used this shit. From what I’ve been following I don’t know that vibe coding has directly racked up quite so literal a body count yet, but if this pattern holds (and I see no reason to expect otherwise) then it’s only a matter of time before someone fucks up something important.

    Also the fact that the framing here doesn’t seem to treat this as an existential risk to the project of AI coding is fascinating. If you’re not producing stable and secure applications in prod then what in the actual fuck are you writing all that code for?




  • In D’Souza’s interview with the Australian newspaper, he explained why: “It’s only the top 1 percent who matter. These are the people who are going to be the value creators” when, in his view, AI soon completely transforms just about every aspect of economic life.

    D’Souza continued, “Ultimately, what’s the last job? It won’t be knowledge work. It won’t be physical work. It will be interfacing between the physical and the digital worlds, and right now that frontier is journalism.”

    Taken together it becomes incredibly transparent that the actual goal here is to transform themselves into a kind of priest-king class, exercising absolute authority on behalf of the remote and unfathomable god that they built. Just please pay no attention to who built the AI, who runs the AI, or where all the money and power end up.




  • So there are a bunch of people on this forum more literary and authorial than I and I welcome any of them to correct me on this, but I’m skeptical of the whole project here of seeking to identify or define a new subgenre that is pushing speculative fiction as a whole forward. It’s always seemed to me like the real creative energy behind this kind of movement doesn’t originate from a defined subgenre as much as from a community of authors in conversation with each other. The identification and labeling comes afterwards as outsiders try to talk about it. In that sense, I don’t think he’s actually identifying that kind of community. Just naming a bunch of writers he likes, to the point of excluding several who he admits would be in this kind of community as defined but he just doesn’t like as much.


  • Don’t get me wrong, if Erika Kirk wanted to make the world a better place she could start by hastening her trip to join Charlie in hell. I’ll also happily agree that Charlie was less an innocent victim and more an enemy combatant in the ongoing conflict between fascism and humanity. Even so, I feel like the performative cruelty here isn’t exactly a good look. I’m not criticizing anyone’s feeling of catharsis or schadenfreude about Kirk’s fate, but this was a public display. It took effort and planning. They made props. And as a piece of political theater, this is not what we ought to be about. The message shouldn’t focus on Kirk’s death, but on making sure his life is remembered accurately: as a fascist debate bro who took massive amounts of money from the Epstein class to make internet memes for letting them do whatever they want. A man who immediately abandoned any libertarian small-government principles he used to claim once it became clear that openly hating gays, immigrants, and nonwhite people was politically viable.