Traffic is still low but I’m optimistic!

lmao, sorry, I’m not even sure if I can parse that.

Essentially I really appreciate the input and nuance your comment provided. But despite that I have further difficulty in refining a comprehensive and specific “rule” for the community.

I could just enforce it based on “vibes” but it’s my understanding that people don’t like that approach to moderation. It may work now but ideally this place will grow and it could easily end up in prompt created audio spam territory.

See, this is something I wasn’t aware of that further complicates this. I think I see things similarly but that makes it nkneasiwe to define a rule.

I see your points. I feel like 2023 is the generally the accepted timeframe but it’s trickier for me. I like stem separation tools (even if I mainly use them in unintended ways). If the Beatles can use it I see no reason why we shouldn’t here.

Join us at !musicproduction@sh.itjust.works

Join us at !musicproduction@sh.itjust.works

I can see it!

I don’t see it you cab Edit and look.

I clearly need to change the rules a bit.

This community is for the production of music. Generative AI music is not the same thing.

But then a generative modular eurorack style thing would be welcome.

Edit: link to community discussion thread

Link to article at The Onion

This is probably a post caching thing?

Someone else said it’s a vkahe set by an IT admin. That appears more likely.

But it is still satire

Kojima might be there. Dwayne “The Rock” Johnson might be there. [Insert Third Popular Celebrity] might also be there, and you are going to miss it if you don’t follow this one simple trick. You have to turn off your ad blocker, my guy. Get it out of here. Do you really want to miss all the trailers and gaming adjacent celebs who don’t want to be there?

I could have lived with Windows 7 for a long time before leaving the platform.

Are you sure about that?

Thank you for reminding me that I wanted to try this game.

What phone is this?

New pixel XL?

I haven’t used it but have heard good things in the past year or two.

My mistake might also have been to bite off a bit more than I could chew from the get-go, and that I should start by following some tutorials to get to know the software better before I start interfacing everything.

That could be it. Don’t forget limitations lead to creativity.

I went with Bitwig because it’s natively Linux compatible, supports 32-bit and 64-bit VST2, VST3, and CLAP plugins with multiple sandboxing options making a plugin crash a nonissue.

A DAW may be the one thing I am willing to go for proprietary. It’s the most expensive software I have purchased for hobbyist use and it’s rewarding every time I open it. I went with the simplicity of having things “just work” for once.

But that said with all the options I do get lost in rabbit holes and would probably finish more tracks with fewer choices.

Which DAW(s) have you explored?