Is there any truth to the post? Like I know events like FIFA soccer games or the Olympics can serve as platforms for people with a message. Sometimes there’s someone running on the stadium. Sometimes there’s flags.
I ask because I had the idea that Lollapalooza, while a money-making business, is also progressive. It’s progressive at least in comparison with FIFA or Trump.
How did those ideas relate for you:
In other words, can you elaborate?
Where’s my Lemmy Gold when I need it
Yeah. I don’t think this cool guide is better than the lemon squeezer, unfortunately.
Maybe it’s just me or maybe you forgot to link the video?
An even wilder thought experiment: what if your left leg was in one side of the fault and your right leg was on the other?
Oh I assumed it was a cocktail thing, but now I’m not so sure
I’m glad we both want to see fairness and kindness in the world. I see you interpret cruelty, abuse, and dishonesty’s effects as respect. I see it a bit differently. When I see cruelty, abuse, and dishonesty, I usually see fear, terror, hiding, lying— anything but respect.
If I see a serial killer who tortures people, I would never respect them. I’d probably fear them. But fear is not respect.
To me, respect is deep admiration. It involves feeling aligned in values, feeling that someone is doing things right and well. If someone is doing things wrong and cruelly, I’d feel deep disrespect towards them.
I suppose our cultures have wrongly conflated respect and fear. People don’t command respect. They deserve it and earn it. They deserve base respect for the mere fact of being human trying to be happy in a brutal world. And they earn admiration-like respect when their hearts are aligned with virtue.
Huh. I hope we can get to understand the post by talking about it. I’m not trying to be condescending or annoying. I’m trying to see what you see. What did you think at first the image showed and how did the comment about tankies lead you to second-guess?
Gotcha.
I see what you mean. Apocalypse World is not on the side of brutally hard or the side of trivially easy; it sits in the middle, in “yes, but”. Some games make certain things impossible (“No, you can’t jump to the moon”). Other games make things trivial (“Sure, use your ‘ultra high jump’ ability”). In other games, the difference between “you can’t” and “sure” is just your character’s level.
This means that, no matter how weak or strong your character is, you can try anything. This does not mean, however, that all characters in Apocalypse World are equally competent. In Apocalypse World, an incompetent character usually has a -2 stat, while a very competent character has a +3 stat. The difference between -2 and +3 is quite massive, even if it doesn’t seem at first.
You can be sure of it by checking out this graph that Vincent Baker, the creator of Apocalypse World, made:
Notice that your odds of a strong hit go from 5% to 55%. Your odds of at least a weak hit go from 30% to 90%. If a teacher saw their student go from 30% to 90%, they’d think the student changed, grew, became more competent.
Well, but aren’t other games more dramatic in their character stat growth? Aren’t other games in the extremes of brutally hard or trivially easy? Probably, but I’m not sure that this is a bug. To me, it’s a feature.
My players can try anything. They want to burn the whole realm in a single Move? They do it. And I get to think about how that changes the world. I get to think about how the fire destroyed their own home. I get to think about what new societies arise from the ashes. I get to think about how the players’ NPC friends are now plotting against them. In other words, the fact that players can try anything at all makes the game very interesting to me and to my friends. I never tell them “nope, you can’t”. I also never tell them “obviously you can”. Instead, they can always genuinely try. And the world constantly adapts. There is no status quo. That’s the feature, not the bug.
If players can try anything, how come their character sheets are so over-constrained? This is a good point. I agree with you. If you dislike the character sheets in Apocalypse World, it’s kind of a bummer. However, the way that Apocalypse World does characters is decidedly not how all PbtA games do characters. Vincent Baker himself has said that his character playbooks are a sort of historical accident and that other PbtA games could be entirely different (1). And, indeed, there are PbtA games that are entirely different.
Take Ironsworn or Starforged. Both of those games are Powered by the Apocalypse and have an explosion of options for character creation. During character creation, you’re given a deck of cards, and you get to pick three of them for your character. Each card represents a special feat, ability, companion, tool, magic, vehicle, or other options. In Ironsworn there are 75 assets, which gives you 405,150 different combinations for your character. In Starforged there are 87 assets, which gives you 635,970 different combinations for your character.
How does Daggerheart fare in this regard? Does it over-constrain characters? In short, it’s nowhere close to Apocalypse World. Yes, it doesn’t have Ironsworn and Starforged’s explosion of options. However, they do have a card system in which you can choose your character’s ancestry and community. You also choose different cards every time you level up, cards that are specific to your class. This is definitely not an over-constraining game.
So, to recap, the difference between a competent Apocalypse World character and an incompetent one is great. However, players can still always succeed or always fail, which I think is not a bug, but a feature; the world is always adapting to what players do! Finally, Daggerheart is nowhere close to Apocalypse World in terms of over-constraining characters.
(1) Here Vincent Baker shows that Playbooks are even optional to the Apocalypse World model.
Totally valid. I assume you like combat simulators like Dungeons and Dragons. Is that the case? If not, what do you dislike about PbtA?
Huh. Thanks for sharing. I’m totally up for critically evaluating Critical Role and Daggerheart.
I do agree that Critical Role’s play style was a bit like a square peg in a round hole. Other games could’ve been more appropriate for them. Arguably a more appropriate game for them is Daggerheart.
As to not letting your personal feelings about Critical Role cloud my judgement, thanks for caring about not biasing me. At the same time, I’m sure you have good reasons to be critical of Daggerheart. Understanding why we say what we say sounds like a good plan, and I’m curious to hear what you think:
What is it about Daggerheart that makes you think it’s nothing more than a platform to continue their failing brand?
EDIT: Oh… I just realized you asked how it DIVERGES from PbtA, not how it is similar to PbtA. lol my bad. I’ll come back with a more informed response later!
So far I can confidently tell you that the Player Principles in Daggerheart are very much like the Principles of Apocalypse World:
In other words, it gives clear guidance on what it means to be an MC/GM. It’s explicit about not railroading. It’s explicit about not pulling the rug underneath your players (“Oops! You didn’t check for traps! That’s 999999 bludgeoning damage coming your way!”). I like when games are this explicit; it’s easier to have a conversation about what good and bad GMing looks like.
I also know that it doesn’t just have success and failure (and critical successes and failures). Instead, it has successes and failures that aren’t as extreme, so small complications pop up more often.
The character progression checklist also looks straight up from an Apocalypse World character sheet (in a good way!). [Edit 2: I learned that the checklist might be similar to Apocalypse World, but there’s this whole card system where each level involves choosing new feats or abilities or things like that, all related to your class]
Fair enough. PbtA is not for everyone. In fact, sometimes PbtA is not for me; sometimes I just want to hack and slash and strategize with strict rules instead of creating dramatic stories.
Have you checked out the PbtA grandpa, Apocalypse World?
This post tickles a fond memory of mine. I was talking to a right-wing libertarian, and he said there should be no research done ever if it couldn’t prove beforehand its practical applications. I laughed out loud because I knew how ignorant and ridiculous that statement was. He clearly had never picked up a book on the history of science, on the history of these things:
Ah that makes sense. Maybe it’s a European/US difference, but it could be just a Time Timer thing. My air fryer is from an American company and it has the same timer as you (wind it up clockwise, then the hand moves counter-clockwise).
I wonder if both types of timers (wind up clockwise and wind up counter-clockwise) seek to distinguish themselves from normal clocks in different ways:
Earplugs come in different sizes. Maybe it’s a matter of experimenting?
Ah. To set up the timer, you do pull the hand counter clockwise, as if you were pulling a spring-loaded car backwards for it to move forward on its own. After you release the Time Timer, its hand will move forward on its own, normally, clockwise.
It is a bit unusual, but the point of the timer is to see how much time you’ve got left. It’s like a battery charge percentage. You know that when the battery reaches zero, you’ve got to charge it up again.
I hope the explanation helps. If not, feel free to ask or to check out the videos in the Time Timer website. After all, it is a strange product.
Anything is possible if you can do anything…