Ok, this may seem a silly question, and I suppose it is a matter of choice. I can put my camera in the case I bought for it with the lens facing down, out (to the right so the lens is against the outside wall of the case, in (to the left toward the other case compartment that holds a lens) or up toward the opening. What is safest? (detail if you need it this is a Canon EOS R50 in a Lowepro “Nova” case)

Another question - When I am to store my camera for a while should I remove the lens and afix covers to the body and the lens or may I just leave it on? Probably 2 weeks to a month between normal uses.

  • WasPentaliveOP
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    3 days ago

    Oh, thanks for the wisdom on UV filters - Most of my experience back in the day was film and I was thinking of getting a UV filter to protect the kit lens. The bag stays nearby but unless I was on a long walk I would not carry it, even then I would probs load up my pockets (extra battery, another memory chip)

    • IMALlama@lemmy.world
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      3 days ago

      I second leaving lens hoods on for front element protection over using a UV filter.

      I would probs load up my pockets (extra battery, another memory chip)

      Spare batteries make sense, but these days memory cards are so big I do not bring extra cards with me. Granted I “only” have a 24 MP body, but I can fit 4k RAW+JPEGs on my 192 GB of combined storage. That’s a lot of culling.

      • WasPentaliveOP
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        2 days ago

        At the moment I only shoot jpg because I have not yet figured out how to make use of a raw. everything I try gives me very strange solarized kind of colors.

        • IMALlama@lemmy.world
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          1 day ago

          Processing raw is a lot easier if you use something like Lightroom (Adobe), Capture One, or Darktable (free open source software that’s even pretty easy to use).

          I’ll use straight out of the camera JPEGs most of the time, but for scenes with high dynamic range and/or dimly lit scenes I find RAW better thanks to it’s much deeper bit depth. It really helps when you’re pushing/pulling shadows and highlights.