The idea of 100 Notable Small Press Books was born November 2024, after The New York Times’s annual 100 Notable Books list featured eighty-two books from the Big Five publishing houses (Penguin-Random House, Hachette, Harper Collins, Simon & Schuster, and Macmillan) and their imprints. Many of these books had the marketing might of these publishers behind them and had already made their way onto the front tables of chain bookstores and the front pages of dwindling book review sections in print and online. The Notable list then, with all its esteem and future marketing power, served largely as a retrospective of the year’s biggest literary books.
Of the eighteen independently published books on the 2024 list, nearly a third were released by Grove/Atlantic, a mid-sized indie that publishes around 100 combined frontlist and paperback books per year, or W.W. Norton, which publishes even more than that. This meant only 11% of the New York Times‘s “notable books” were released by small, independent publishers, which we are defining here as independently owned US publishers with roughly 50 or fewer titles per year, and not imprints of the Big Five publishing houses. A thriving ecosystem of books from publishers taking risks, publishing from the margins, operating on few resources, with small distribution and even smaller marketing budgets, were largely being ignored.
For 2025, The New York Times Notable list tipped slightly toward the indies, featuring 14 books published by small, independent publishers. Hurrah for those publishers and authors! In the meantime, forty reviewers across thirteen genres spent the year reading small press books. Our efforts, like small presses themselves, were low on resources but high on resourcefulness. Reviewers had to search out, request, and read at least nine books across a chosen genre from small publishers before making their recommendations. We limited ourselves to books published in December 2024 through November 2025.
Our guiding principles were “read a lot, recommend a few” and “seek out a diverse array of authors and publishers.” We were especially interested in BIPOC and LGBTQ authors and publishers, who have an even steeper climb to mainstream recognition.
Within these guidelines, our reviewers were free to read any small press books they chose, and as a result you’ll find this list dappled with well-known presses, such as Tin House and Europa Editions. But for every Graywolf, we feature presses that are not household names, like LittlePuss and Publication Studio and Kallisto Gaia.
There were times our definition of “small press” was tested. Was Tin House still a small press after it was acquired by Zando in March? Yes, we decided, since Zando was not a big five publisher. Were university presses that published well over 50 books yearly small presses? We decided they were so long as their creative offerings fell under that number. We tried to stay nimble and responsive, while sticking to the project’s principles.
There are a few important things this list is not: This is not a best of list. This is not a comprehensive survey of all small presses. This is not a juried selection of books. This is instead the product of a group of enthusiastic, committed reviewers reading hundreds of small press books from the past year and choosing the few they heartily recommend.
Ours is not the first list to highlight small press books. One of the joys of this project was finding the many other venues already doing this work. If our list interests you, find more small press books highlighted at CLMP, Foreword Reviews, and Necessary Fiction, to name a few.
Without further ado, 100 Notable Small Press Books of 2025:


