I appreciate that you taken time to explain the technical aspects into what generative AI is processing under the hood, but the reality is that no amount of programming will ever be able to recreate the uniqueness and infinite variability of human creativity, emotion, imagination or consciousness. There is an immeasurable difference between true creativity and producing variations on a data set. I say this as both an artist and a programmer. I’m not just talking out of my ass.

The goal here isn’t to replace human uniqueness, creativity, emotion, imagination, or consciousness, but to give people a robust tool to help them explore concepts and express themselves.

I agree with you that a goal of art is to express ideas and that there’s are a lot of people in the art world that fetishize art in to being something more important than it is in certain contexts, but art is also a core component and something unique to humanity(and sometimes even to other species.) In that way, it’s something to be cherish and regarded - and throughout history it has been extremely culturally significant. Trying to translate these concepts into an algorithm, in my mind, nothing but an extremely arrogant waste of effort and time. Why not spend your time automating the boring shit no one wants to do rather than the creative things people actually enjoy doing?

If it allows people to more effectively communicate, express themselves, learn, and come together, it’s worth the trouble. The more people can participate in these conversations, the more we can all learn.

I am not gatekeeping. I am just stating simple facts. I find it offensive and demeaning that you are devaluing the immense amount of effort that artists undergo to hone their crafts and produce art. You’re damn right it’s work - if you want to get proficient at something, that’s what it takes. I don’t care how boomer-ey that sounds. Yes, some artists have natural talent and don’t need as much effort as others. But, nonetheless, effort is required to create. Anyone can create art, not just some elite select few. But, not everyone can create art that is universally recognized as great or masterful, and it’s not a problem that need to be solved by technology. Unfortunately, art is subjective, so not everything one creates is perceived the same. That’s why some are more successful than others. You may argue that AI levels the playing field, but the fact is that it leverages the work of “successful” artists or artworks, and generates results that are perceived as successful or appealing as a result. It’s a shortcut. You are bypassing the effort otherwise needed by using a tool, which allows most users to to be totally ignorant of the basic knowledge required to create an art work - shape language, color theory, composition, lighting, appeal, posing, etc.

You are putting words in my mouth. I never devalued anyone’s work, unless you read that when I said I don’t think pieces that take more work or skill aren’t inherently worth more than those that were easier to produce. Is it even possible for there to be shortcuts in art? It’s harder to erase a line and fix it on canvas than it is to draw an incorrect one and just resize it. Let’s not even talk about things like shrinking a whole head to make it fit. Where in the gradient from canvas to AI does creating become cheating?

That reminds me of a quote from over a hundred years ago:

As the photographic industry was the refuge of every would-be painter, every painter too ill-endowed or too lazy to complete his studies, this universal infatuation bore not only the mark of a blindness, an imbecility, but had also the air of a vengeance. I do not believe, or at least I do not wish to believe, in the absolute success of such a brutish conspiracy, in which, as in all others, one finds both fools and knaves; but I am convinced that the ill-applied developments of photography, like all other purely material developments of progress, have contrib­uted much to the impoverishment of the French artistic genius, which is already so scarce. It is nonetheless obvious that this industry, by invading the territories of art, has become art’s most mor­tal enemy, and that the confusion of their several func­tions prevents any of them from being properly fulfilled.

― Charles Baudelaire, On Photography, from The Salon of 1859

It sounds a lot like what you’re trying to say.

Entering a prompt into an AI model is akin to directing, producing or acting as a muse. It’s a very similar argument as to the validity or artistic merits of factory artists like Andy Warhol or Jeff Koons - While you are responsible for the idea that produces a result, you are still relying on the work and effort of not only the numerous team of people creating the AI model and its algorithms , but also the immeasurable amount of man-hours and creativity involved in creating the source content for the model training materials.

This can be said of many tools, from graphics rendering engines and art software to mass-produced pigments and tools. It took us 100,000 years to get from cave drawings to Leonard Da Vinci. This is just another step for artists, like Camera Obscura was in the past. It’s important to remember that early man was as smart as we are, they just lacked the interconnectivity and tools that we get.

It’s one thing to use generative AI as tool, with intent to make use of the output as reference for your own work in a larger context. But to take the direct output and call it art is morally and ethically wrong. In my eyes, it makes you look like a total hack who doesn’t want to put the effort in to make things for themselves…no matter how much time you put into coming up with the prompt for the output.

I still stand by my original arguments - coming up with a prompt or a training data set to create an image is not art, because you are not actively involved with the creation of the imagery, itself. What an AI model generates is not a creative work and it is not your creation. If that is offensive to you, there’s nothing I can do about that, because it’s apparent that your arguments only serve to make yourself feel better about using generative AI.

This is just personal option. And I never felt bad about using it in the first place. It feels like you’re projecting your own feelings onto me.

It’s also apparent that you have an extremely skewed view of what art is and what it means to be an artist. Art, at its base level is about expressing HUMAN creativity, not what an algorithm interprets it to be. It’s about making countless, specific choices for each step of the creative process and having complete control of the final outcome. It’s those choices that make your art truly unique and an expression of your creative vision. It doesn’t matter if it is objectively bad or good, just that it came from you, and that every detail, every color, every line, was your choice, not an interpretation of your words.

It is still a human making generative art, and they use their emotions and learned experiences to guide the creation of works. You should familiarize yourself with all the different forms of guidance available with generative art. I think you’ll be pleasantly surprised.

Any one can create art, but an artist is someone who dedicates themselves to their craft, as with any other craftsman. That passion is what separates an artisan from a hobbyist. You may view this as snobbery, but I view it as respect and honoring a tradition that spans all of human kind, back to the earliest cave paintings tens of thousands of years ago. I know my limits and what I’m capable of and I have come to terms with those deficiencies in my work. I’m not delusional enough to think that by generating an image through AI, it somehow makes up for those shortcomings and makes me into something I am not.

This is a no-true-scotsman fallacy, you’re attempting to narrowly define artists to serve your needs, when no definition of “true artists” has ever existed. The rest of this is personal perspective that you shouldn’t force onto others. Let them create how they want, and in time, I think we’ll all come to benefit from their labors.