I don’t see why you bother talking about formal rank so much compared to agency in the actual plot, especially with Bleach, where Lieutenants are nominally a big deal and sometimes are, but multiple are plainly just women who are accessories to their male Captain and Unohana is just a background character with some subtext until she steps to the foreground to be a tool to develop a male Captain’s character and promptly die. Soi Fon is basically unimpeachable, but many of the other names you listed are closer to being the opposite.

I’ll go through your other examples but it’s basically just because I’m autistic:

Naruto is extremely sexist, and I’d say more so than Bleach.

One Piece is extremely male gazy, but aside from Sanji the sexism strangely doesn’t carry over to the story’s writing, because lots of women are given at least as much dignity as the men. There is the issue of Nami and Robin needing saving, but even then they still have agency and aren’t damsels in towers like Rukia, and it’s not like Zoro, #2 to Luffy, wasn’t introduced awaiting execution, tied to a post. There’s also a lot of writing where women are put in various respectable roles that don’t center on being strictly matronly or something, such as Kokoro (whose role as a foster mother was significant to the plot but is doing other things by the time the crew meets her).

Jojo barely had female characters at all early on, but it had Lisa Lisa all the way back in Part 2, and she’s not stellar by these metrics but she’s pretty good. I honestly think that it kind of gets more rancid over time, with maybe the exception of part 6.

Fairy Tale is trash and I don’t want to think about it, but that definitely includes a cartoon level of sexism.

Soul Eater is just kind of a weird show and I don’t remember it that well. Isn’t Maka’s father like a “comical” pedo or something? I remember Fire Force better and the author goes on an unhinged, fourth-wall-breaking rant defending his objectification near the end. I admit Maka is still more of a real character than you usually get for women, though.

I don’t know anything about KHR or Shaman King

FMA I do think is alright. For some reason you’re leaving out Winry, and both her and the three you mentioned are all very cool (least of all Lust, but she’s still alright). May Chang is also solid and even the designated female sidekicks Hawkeye and Lan Fan are written pretty respectfully. It probably makes a difference that this is one of the very few manga listed that was written by a woman, so even if she had va-va-voom ideas about how to depict women (and men!), she still managed a basic level of empathy that a lot of male authors don’t bother with.

You might find this backwards, but I tend to think that if an author can’t be bothered to write women well, it’s probably just better for them to write a story centered as completely on men as they can manage (though it shouldn’t be too difficult to write women well since they are humans too, and you don’t need to get deep into specifically feminine issues to have a well-written woman, because you can write it just from the perspective of her being a human if you make the setting allow it!). That’s why I don’t think Dragon Ball Z is that sexist, for instance, since it just avoids involving women other than Bulma altogether for the most part.