Avatar really is a case study in mismanagement. At it’s core an engaging story with deep characters and lore with many parts unexplored, with a special place in many hearts after the initial series. The perfect ingredients to turn into a lifelong franchise. Yet it cannot seem to shed the curse of rights holders and suits smothering it’s potential success.
“the biggest video game in franchise history”
what does that even mean?
That it would have been bigger than that GameBoy Advance game.
“of all the Avatar video games, this is the biggest one”
It’s not kidslop
I wonder how this relates to the recently leaked (because Paramount decided on no theatre run) Avatar film.
I struggle with Avatar right now. It’s great story telling, world building, compassion, and just a cool world. Unfortunately, it’s owned by Paramount, which I’m unwilling to give a dime to. I have the same problem with Star Trek. There are, of course, ways around giving them money. I just wish these crappy companies would stop being so crappy. I don’t expect giant media companies to be good, but like not comically evil would be a good start.
🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️🏴☠️
That’s what I did to watch the leaked movie.
As an act of rebellion, don’t just pirate it. Seed and share. Give a copy to everyone you know.
Paramount can FOAD, I wouldn’t give them a red cent.
Probably heavily. Companies seem allergic to show A:TLA some much-deserved love.
I’m so glad it was leaked. I’d gladly see it again in theatres, or buy a disc. Paramount fully earned their “my cabbages!” moment.
Oh? Was it good?
It was excellent. The only thing keeping it from perfection in my eyes was the pacing, which didn’t really let many moments breathe. At one point it bordered on Monkie Kid and Rise of the TMNT-style of pacing from their 11 min episodes, both series of which Flying Bark Studios worked on.
The art style, design, and BG art was to die for.
I described it as a DBZ plot wrapped in the Avatar setting.
I quite liked it. Some choices I wouldn’t have done myself, and I was sorry not to hear Dante Basco doing Zuko again. Overall pretty great, compared to what you’d reasonably expect from a highly anticipated, highly belated sequel.
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